In recent weeks, I've received an increasing percentage of comments criticizing pictures for featuring "ugly" people or "evil" themes, rather than for being "poorly drawn" or "badly painted" or "unimaginative."
- In a recent post about illustrations for the classic novel Lolita, many commenters were uninterested in the creativity or quality of the images because they didn't approve of the book's plot. None of the images were explicit, but the underlying story was too "depraved."
- In a recent post about an illustration of President Trump, many commenters were less interested in the artistry of the image than in what they suspected were the "totalitarian" sympathies of the artist, or even my own suspected political leanings for showing such a picture ("You are a Fabian Socialist, a hard leftist, a radical in sheep's clothing. A snooty superior commie pretending not to be, quietly and cleverly trying to undermine our constitution. You are worse than a total partisan hack. You are a Manchurian activist; a deceiver and a traitor.")
- In a recent post about drawings by artist John Cuneo, a number of commenters criticized Cuneo's pictures for being too ugly. ("It’s hard for me to appreciate Cuneo’s illustrations because they are so damn ugly." Cuneo is a "a psychosexual slob." His drawings show "saggy tits" and "flab.") Even worse, some suspected that Cuneo's admirers have "lib" leanings.
The direction of these comments surprises me; there's plenty of beautiful art about ugly subjects. Just ask Shakespeare.
My own test for Cuneo's drawings was never, "Would I invite this woman to the prom?" Rather, I feel his drawings are beautiful because their line work is sensitive, complex, thoughtful, probing and intelligent:
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Details of Cuneo drawings |
Cuneo is not for everyone's taste, but as far as I'm concerned people who dismiss such drawings as "ugly" are applying criteria from a parallel universe. They are likely to miss out on some of the most rewarding material art has to offer.
Readers who sneer at drawings of "flabby" people may be troubled by this picture, but I personally consider it a masterpiece of good drawing: well conceived and designed, with those crisp dark accents shaping and containing that billowing flesh. Fluharty threw away the anatomy book and drew this with his eyes opened, the way good artists are supposed to. He was never tempted to let symmetry do half of his work for him. At the risk of further shocking readers, I would defend this drawing to anyone as "beautiful."
Next, there's artist David Levine, who walked right past the academic models to draw what he called the "shmata queens," the heavy, ungainly women who hung out on a nearby beach. Levine said he was interested in...Again and again Levine drew and painted these women on the beach. I'm sure if you asked whether he thought they were "ugly" he'd be puzzled by the question. Certainly they aren't ugly in any sense that should be relevant here.
a dwindling group of elderly women: Shmata Queens of Coney. The "shmata," or "rag," not only refers to the head cloth, but also to the bathing suits - faded and misshapen by molding to aged and deformed bodies that have been out under the sun.... Once, as I was finishing a drawing, my model said, "Dere is vun ting you kent ketch about us." When I inquired what that might be, she answered, "How much ve eat."We have to be careful about judging art based on the morals of the people depicted, or whether a character has a wart on her nose, or whether the colors are pretty. Those are all relevant considerations when it comes to deciding whether you should hang a picture in your breakfast nook, but the important aspects of art run a whole lot deeper than that.